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Helen has a photograph of flaming Troy mounted within a thin maroon frame on the wall of her apartment. It hangs
above a round table with a wicker base. Matching chairs roll clumsily on small brass wheels. She's gracious to the Egyptians,
(after escaping capture as Spartan house-slave) helping prepare the royal dead before they're sent to priests, sewing small cloth
bags to hold hearts in their canisters. Plants are absent from her home. She has no cat or annoying colored bird, miming noise
like young Cassandra before Troy was sacked. Helen stacks moldy clay bowls in towers. Blue mold grows in amber cups, eats remnants
of fruit juice. She loosely shapes paper plates in slant pyramids; cityscapes composed of yogurt containers, black apple cores
and medicine vials. Paris's bright shrine is modeled in soda cans. Her bedroom: mounds of stratified mail: bank statements, slick
magazines, old wedding invitations.
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